Africana Studies / Rites and Reason Theatre

Rites and Reason Theatre: 50 Years And Beyond

Rites and Reason Theatre is one of the oldest Black theatres in the nation.

Our Students, Our Roots

Before Rites and Reason Theatre's official founding in 1970, the first cohorts of Black students at Brown University and Pembroke College, the women’s college attached to Brown, began to matriculate, immersing themselves in the Black Arts Movement and Black art as a way to ease their transition onto the campus. Aided by faculty in the Theatre and Performance Studies department, and inspired by Brown’s new open curriculum, James Borders and Sheryl Brissett-Chapman ’71 and Ramona Kolobe and Zylpha Pryor-Bell ’72, played significant roles in the founding of Rites and Reason Theatre through their producing Black plays and organizing Black Arts Festivals on campus, and eventually interviewing and hiring the late George Houston Bass in 1970. Once he accepted the position, Bass- personal secretary to Langston Hughes and executor of his literary estate—became the founding Artistic Director for Rites and Reason Theatre.

Rites and Reason Theatre was established in 1970 by the late Professor George Houston Bass—personal secretary to Langston Hughes and executor of his literary estate—Brown students, and Rhode Island community members as a direct result of the Black Arts Movement and the Black Student Walkout at Brown University in December 1968.

Professor Bass worked with Professor Rhett S. Jones, Rites and Reason's Research Director, to create a space to express the cultural, social, and ideological concerns of the African Diaspora. Together with Producer and Managing Director Karen Allen Baxter, the group codified new methods for play development. Early productions and festivals traveled throughout public spaces, city parks, and centers and offered a unique space on Brown’s campus to surrounding Black community members and arts practitioners.

Elmo Terry-Morgan’74 became Artistic Director in 1991 and remained until his retirement in 2023. During his tenure, Morgan pioneered courses and archival collections organized around the scholarship of Black Queer theatre artists. He worked alongside Karen Allen Baxter to continue the tradition and ensure plays produced by Rites and Reason Theatre incorporated students, faculty, and community practitioners as playwrights and theatre artists on the stage and behind the scenes. 

About Our Founders

George Houston Bass

A scanned image of George Houston Bass on the cover of Black Masks Magazine, Dec/Jan 1991

George Houston Bass (1938-1990), Founder and Artistic Director of Rites and Reason Theatre was educated at Fisk University, New York University, and Yale University. From 1973 until his death, he was Professor of Theatre Arts and Afro-American Studies at Brown University.

Bass is the author of numerous plays, including Black Masque, Malacoff Blue, and De Day of No 'Mo. He has worked as a director throughout the country. Brer Rabbit Whole was first produced at Fisk University, and a revised version was produced by Rites & Reason in 1985. 

Bass' Black Masque was part of Rites & Reason's 25th Anniversary Season. Professor Bass was also the editor of The Langston Hughes Review, the official organ of the Langston Hughes Society.

Bass's work has been acknowledged by the American Society of Cinematologists winning the Rosenthal Award in 1964 and the Plaque of the Lion of St. Marc at the 1967 Venice Film Festival. Professor Bass also received a John Hay Whitney Fellowship, a John Golden Fellowship from the Yale University School of Drama, a Harlem Cultural Council Grant, a Howard Foundation Fellowship, and a Fulbright Research Grant.

 

Rhett S. Jones

A scanned image of George Houston Bass and Rhett S. Jones on the cover of Brown Alumni Monthly, May 1986

Rhett S. Jones '72 AM, '76 PhD joined the Brown faculty in 1969 as an associate professor of history and Afro-American studies. His academic specialties included African American history before 1800, African American theater, Caribbean history before 1840, and race relations in colonial America. Soon after arriving at Brown he cofounded and became research director of Rites and Reason Theatre.

In 1972, he helped organize the Sankore Society, the University's organization of Black faculty, administrators, and personnel. He served as chairman of the Transitional Summer Program Review Committee in 1975 (a precursor to the Third World Transition Program), and from 1976 to 1978 he participated in the first minority review committee to aid the Admission Office in decisions regarding minority applicants. 

In 1991 he was appointed director of the Center for the Study of Race and Ethnicity in America. His work extended into the black community of Rhode Island, where he served on several boards and committees, such as the Black Studies Consortium of Rhode Island, the Rhode Island Black Task Force on Higher Education, the Rhode Island Black Heritage Society, and the state chapter of Kappa Alpha Psi fraternity. 

 

Chronicling Rites and Reason Theatre

Today, the Department is engaged in a multi-year project in partnership with the John Hay Library to build the Rites and Reason Theatre Archive. Currently available resources are archived in the University’s digital repository, available here.

Rites and Reason Theatre turned 50 in 2020. To mark the occasion, the Department conducted interviews with the then Artistic Director Elmo Terry-Morgan’74 and Senior Managing Director Karen Allen Baxter.  These interviews were recorded on October 20- 21, 2019 in the George Houston Bass Performing Arts Space at Churchill House, Brown University. 

Artistic Director Elmo Terry-Morgan '74 and Senior Managing Director Karen Allen Baxter talk Rites and Reason History in an Archival Project clip.